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The most important bass technique in the world (and 5 tips to master it)

  • Published on Mar 30, 2023 veröffentlicht
  • ► Check out the Bass Technique Accelerator Course here:
    Bass technique is multi-layered. As in, it’s made up of multiple parts.
    Parts of your bass technique may be good… and, some may be bad…
    But there’s one element of your technique that is the fundamental foundation to your sound, your tone, your dynamics and much more… in fact, when I meet a student for the first time it’s the very first thing I look at - because if that’s not right, they're in big trouble!
    In this lesson I’m going to reveal exactly what this technique is, and show you 5 essential tips to master it.
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  • MusicMusic

Comments • 195

  • Ty DeVries
    Ty DeVries 4 years ago +169

    Tips start at 3:12
    1. Nail the Rest Stroke - 3:12
    2. The Rest Stroke Mute - 5:00
    3. Alternate Up, Economy Down - 6:17
    4. Don't Forget Dynamics - 9:20
    5. Change Position for Tone - 11:18

    • Woods
      Woods 2 years ago +1

      helps a lot thx

    • Narsh's art
      Narsh's art 4 years ago


    • Metallic Bunny
      Metallic Bunny 4 years ago +7

      Gotta love Scotty but there is a lot of muck in some of his vids. Thanks man

    • William Brown
      William Brown 4 years ago +9

      Thanks for letting us know when tips start. Scott likes to do funny crazy things sometimes I think he talks to much but I love Scott and what he doing and I know he means well. Concepts are important too : anyway your tips on where thing start is awesome. I can go back later and listen to concept . I guess the most important thing for me is that if I listen to long I don’t get to start practicing and I get stuck in looking and listening a lot. And never get any practice in like right now. I could be practicing

  • Berryblissstudios
    Berryblissstudios Year ago +1

    This just seems like an extra funny lesson, not the information but the video! I love it! Thanks for your inspiration and lessons!

  • beatrocka5
    beatrocka5 4 years ago

    Your vids offer so much info!! So much that it will take an awful lot to grab it all, but I'll continue working at it. I'll love it when I get to where I can play as effortlessly and slick as you! Thanks Scott!!

  • Doug Arnold
    Doug Arnold 4 years ago +12

    Really good lesson. So much guitar instruction ignores the importance of pick technique. The picking hand is the key to everything. The fretboard hand can adjust to pick strategy very easily, but the pick gives the consistency of sound and speed and timing. It took me a long time as a young guitar player years ago to recognize this fact but all the best guitar players have exceptional pick technique. I work on pick technique a lot now. I'm working on combining flat pick with the middle and ring finger to create steady drones on single strings and smooth pulse lines on different strings. I think consistency is key to improving my playing because I've always been expressive naturally with my pick style.

  • The Monnaman Show

    I appreciate your videos so much. I love playing bass nowadays way more than guitar, been playing guitar since I was 13 and now I’m 31, but thanks to videos like this, I’m enjoy the feeling I get when I play my bass and it’s just way more fun jamming on a bass. Bass bass bass! 😆

  • G. Medina
    G. Medina 4 years ago +20

    Love that Pbass 5ver super cool bass! Great lesson Scott

    CPR4LIFE 4 years ago

    I do the alternating up/economy down naturally (as a beginner) but I'm going to start focusing on it more now to make sure it's consistent. Thanks!

  • Brandon Stewart
    Brandon Stewart 4 years ago

    This is extremely helpful, I've recently had to adapt my plucking hand play style after an injury so going over all this again is helping me get back into it and actively think about how I'm playing everything. Great video

  • Adrian Garza
    Adrian Garza 4 years ago

    I started playing bass 1 year ago, inspired by Scott's videos. TY for continuing to make content, you are inspiring so many out there. Do you ever gig and do you share your gigging schedule? I may go to the UK for work, and would love to catch a show! TY so much. Sending positive vibes from San Antonio, TX.

  • Brett Marlar
    Brett Marlar 4 years ago +1

    Plucking hand technique is incredibly important, providing that you can use your plucking hand. I had my right hand (my plucking hand) in a cast or 6 weeks after a car wreck. So I had to adopt a more "Chapman Stick" free-hand approach to playing whilst the cast was on. But it IS essential for the more percussive techniques and tonal variations that the last tip mentions. Unless you've got an effects processor that will allow you to set up pass(or shelving) filters to alter the tones. But I think we would all agree that providing you're not playing one handed, utilizing such tech this way would be cheating or at least phoning it in.

  • Dr Hobbles
    Dr Hobbles 4 years ago +1

    Love this kind of vids! Very entertaining and educational. Keep up the good work

  • Chris 70x7
    Chris 70x7 4 years ago +8

    It's funny, I actually have to play my bass and pay attention to these five points, because Im not even consciously aware if Im actually doing these things or not. Great lesson Scott! Nice theory corner razzle dazzle too :)

    • Alex Dattel
      Alex Dattel 4 years ago

      If you can't evaluate your playing while you play, consider recording yourself. A phone video should be okay but an additional audio recording DI into a DAW should make bad tone super obvious with the video to help you spot your mistakes' origins.

  • Tim Payne
    Tim Payne 4 years ago

    Good points well made Scott. Dynamics are something I seem to forget alot about when playing. Having said that I have been listening to alot of Otis Redding of late. Duck Dunn was pretty full on in his approach for most of that stuff! Turning goat's piss into gasoline......... love it :)

  • eViolinity
    eViolinity 10 months ago

    Really,really helpful! Short and clear! Thanks

  • Matt Edjon - Very Accurate Tabs

    Hi ! I have a important question that I have for ages, it's a little bit tricky to explain but I'll do my best :
    What do you think is the best way to train your fingers to go faster ?
    Ok, let's say I want to play a phrase at 120 BPM, I already know the phrase by heart but I can't seem to reach the tempo.
    Should I :
    1) Play at 60 and then raise the tempo a little bit day after day until it come ?
    2) Play 60 and jump to 120, then 65 and jump to 120, then 70 and jump to 120 etc etc... ?
    3) Play at 120 for weeks no matter how ugly it sound and one day the fingers will be use to the speed ?
    I always do the first answer and it don't seem to work for me :(
    Best regards

  • MonkiShogun
    MonkiShogun Year ago

    Other than the nuanced 'rest stroke mute' technique. I'm really proud to say that I've already developed the habit of playing
    in this way. I'm still really green, as I've only been playing for a year... but this video just let's me know I'm on the right track!

  • Bettina Smith Rasmussen

    You are the best. I enjoy the inspiration and makes me want to go back to practising 😄

  • whywhatfor
    whywhatfor 4 years ago

    love the enthusiasm while you teach! it's so much more motivating to see a teacher give great techniques while having fun :D

  • NMranchhand
    NMranchhand 4 years ago

    Capital lesson, Scott! Great academic focus (good relief).

  • Ollie Heads
    Ollie Heads 4 years ago

    I can honestly watch Scott play for hours, one of my biggest inspirations for bass, he has taught me everything I know, amazing bass player

  • Randy Lott
    Randy Lott 4 years ago +4

    One of the hardest things to do is to get rid of the harmonics created by right-hand muting. At 5:46, there's an example of it. Based on the location of your index and middle fingers, you're making a harmonic ring out. Maybe most people don't mind it, but I notice it in my own playing and I don't like it. Funny thing is, your middle finger followed by an index finger mute does not cause this, because it's not at a node.

    • Randy Lott
      Randy Lott 4 years ago +1

      If you move your right hand just a bit, it'll go away. No one will notice in a full band setting, thankfully.

  • finnthehu
    finnthehu 4 years ago

    You read my mind with this one, Scott. Been trying to work on my right hand technique.

  • Tobias Robertson
    Tobias Robertson 4 years ago +20

    I always thought of it as left hand is the knowledge and right hand is the feel.
    Such a great video though! 🙌🏻

    • Austin Parker
      Austin Parker Year ago

      @Tobias Robertson ehh, being able to read notation is completely unnecessary for the vast majority of aspiring bass/guitar players anyway... and this is coming from me, a theory simp.
      Scales however...👀🤤

    • Tobias Robertson
      Tobias Robertson 4 years ago +2

      Lomi Bear92 I get what you’re saying and I definitely prefer to hear a player who has great feel with a simple melodic line over one with a static feel attempting complexity. However, I wouldn’t say knowledge is in any way pretending. In my opinion, you need both to truly master an instrument. It’s like stand up comedy, you need the material and the delivery but I do agree that it’s all about learning the language of music.
      I have a pretty basic grasp of theory tbh, I’m not one for scales but I learnt enough to help me know the right names for chords and how to build chords, I can’t read notation above a snail’s pace though haha.

    • NRG
      NRG 4 years ago +1

      I think The feel is everything. The "knowledge" allows people to effectively pretend. Ability comes from existing in the feel consistently until you can speak it through the instrument without aid. That's the only way you can hop on any genre in any band and just play without having to ask what is happening. you can fool yourself by recognizing the theoretical structure but that's not as valuable as being able to pull it straight from the ether(feel/physics)

  • BNCProAudio
    BNCProAudio 4 years ago

    Killer lesson by the way. What kind of strings are you using Scott?

  • Steven Alcala
    Steven Alcala 3 months ago +1

    Huge question.
    Do you only use economy picking for scales and fast runs going down…or do you use it literally anytime you’re playing any bass line going across strings from high to low (as in g-d-a-e-b)??

  • Andrew Gusev
    Andrew Gusev 3 years ago +1

    Another extremely important point of bass selection: the sound of the instrument in the band pack. Very often, great-sounding instruments themselves are simply lost in the ensemble, or are knocked out of the sound of the ensemble, or simply not suitable for a particular ensemble. You should listen to "in a pack."

  • pjmuck
    pjmuck 4 years ago

    Great installment, Scott. I'm adding, "Don't rake" to your previous video regarding bass myths. I do it all the time, and it's become part of my voice.

  • Mack Milne
    Mack Milne 4 years ago

    Right hand technique is one of the things I've grown up with as being crucial to good bass playing. I'm definitely not perfect though, thanks for the tips, very useful. I just got an upright bass a few days ago so I'm working on getting my technique decent on that too. Do you have any experience and helpful information to go from electric bass to u[right? Thanks.

    • Mack Milne
      Mack Milne 4 years ago

      Thanks a lot! I'll keep all that in mind when I practice. I have seen the Adam Neely video. I'm taking instruction from bassist Rob Thorsen and the thing he's been having me work on the most is positioning with my left hand. I feel like I have decent intonation up until around where the 7th fret would be. Another thing I'm having some trouble with is being able to play strong and steady at faster tempos with my right hand.

    • Rufus Stanier
      Rufus Stanier 4 years ago

      The main difference I experience is the the fact that your left hand technique effects intonation significantly on upright. The same things that electric bass players do with their left hand in order to play faster and with more agility are the same sorts of things upright players do to keep in tune. Basically do what Scott does with his left hand shape at 7:55 (for example) and you'll be fine until you reach the shoulders of the bass, where the thumb is placed on the fingerboard and finger 3 replaces finger 4. Most importantly, keep your fingers curved and perpendicular to the fingerboard, and bear in mind that the force with which you pull the string down (more with the weight of your arm than your fingers) also effects your intonation: you need to be ensuring every note is played with weight from your left arm. Adam Neely has a video which covers all the other stuff too.

  • James Munro
    James Munro Year ago

    I'm a reasonably proficient guitar player who has recently taken up bass as well and this is gold. My pick skills are there but my plucking game is seriously weak. Very odd sensation with my fret hand being far more advanced than my plucking hand. I'm working on it though!

  • Led
    Led 4 years ago

    Great stuff. Well explained!

  • Jody Hendrix
    Jody Hendrix 4 years ago

    Right hand technique is definitely the first place to start, thanks for the vid Scott!
    Although I’m confused as to which is #1 and which is really #5. ;)

    • Jody Hendrix
      Jody Hendrix 4 years ago

      BTW that 5 String “P style” Bass is Awesome!

  • Dee Lawrence
    Dee Lawrence 4 years ago +9

    You can make "covers" using magnets. Most whiteboards have a metal substrate that allows magnets to stick. That and some thin plastic makes reusable, removable covers for your whiteboard demos. (File under "Whiteboard theory.")

  • Oly Spart
    Oly Spart 4 years ago

    Thank you very much this video, I probably never gave enough importance to the 3 first points (or last.. I'm lost .. lol) . Nail the Rest Stroke, The Rest Stroke Mute, and Alternate Up, Economy Down. I'm going to wotk on them from now on. BTW, it would be great more lessons about the right hand work. I notice that the left hand is always faster than the right one, how to change that?

  • Silrian777
    Silrian777 4 years ago

    Serious question from a beginner: how do you approach plucking across multiple strings when they're triplets (or patterns of threes anyway). Do you alternate between the index and middle crossing over to another string, or do you use economy picking, which means one finger picks 2/3rds of the notes and the other 1/3rds? Especially when they become repetitive, fast patterns, I really wonder what's best.
    Example: upper case is D string, lower case is A string (Cminor scale): G c c G# c c G c c F c c (:) G c c G# c c G c c F c c. How would you pluck that at fast tempos? Let one finger consistently economy pluck from D to A string (playing all the F, G and G# notes), or alternate plucking and divide all notes evenly across each finger?

  • Cameron Lesley
    Cameron Lesley 4 years ago

    A great lesson, thanks scott

  • CHBCKyle
    CHBCKyle 4 years ago +2

    I'm learning to really love bass since I got my J (I've had a stingray for a decade that I never clicked with and had just to have a bass), but it's kind of disheartening. I play with a pick because I have fibro, so whenever I play without a pick I feel that fake nerve pain, the one I know isn't real but I feel it anyway. I wish I wasn't so limited because this all seems like great advice and some of it I can't really use.

  • Chris Boylan Music
    Chris Boylan Music 4 years ago

    Great lesson! Playing guitar for 45 years, finally losing the pick on bass and learning the proper pick-less bass playing.

  • Woody Bear
    Woody Bear 4 years ago

    Thanks Scott, great lesson.

  • Maarten Verbaarschot
    Maarten Verbaarschot 4 years ago +6

    Super handy for a beginning bass player like me. Thanx!

    • sportosellout
      sportosellout 4 years ago

      yeah must say as a beginner this is one of the best tips u can get, a decent stroke technique will go a long way

    • Oliver Seddon
      Oliver Seddon 4 years ago +1

      couple years ago I was exactly the same. We're pretty lucky as bassists to have this channel. Good luck with your playing.

  • Marlin Kingsley
    Marlin Kingsley 11 months ago

    I count to four all the time. Probably more consistently than I count to higher numbers, because you have to count to four every time you count to higher numbers, but you don’t have to count up to the higher numbers in order to count up to four, so I don’t do that. But yeah, I think I have what it takes to play musical instruments.

  • Barry Nelson
    Barry Nelson 4 years ago +1

    What about a "Floating Thumb" VS a "Stationary Thumb" on your plucking hand? I know it's a matter of choice, but isn't there a level of playing that is achieved when using a "Floating Thumb" technique?

  • AmazonPrimeRibs
    AmazonPrimeRibs 4 years ago

    I spent the first and last 9 years of my bass playing practicing plucking hand techniques and dynamics but not scales. O.o
    I feel like i might've done this backwards lol

  • Kev Mac
    Kev Mac Year ago

    Nice advice.I have been using the rest stroke naturally but now that I'm aware of it I'm screwing up.lol

  • Ny Fanilo Andrianjafy

    When Scott demonstrates the stroke mute, there is a slight ringing AFTER the mute. Is it normal? This happens to me a lot too. I have a feeling it is normal, but it also sounds like the notes or the muting isn't clean.

  • Jonathan Corwin
    Jonathan Corwin 4 years ago +128

    An important skill for bass players is being able to count to 4 consistently ;)

    • James Wilbraham
      James Wilbraham Year ago

      Top advice. 👏👏👏👏

    • Robert Hintner
      Robert Hintner 2 years ago

      7/4 for the drummers
      One two three four five six se-ven

    • fattyjaybird
      fattyjaybird 3 years ago +1

      Just know wheres the one 😉

    • Willie Fairell
      Willie Fairell 4 years ago

      Hey Scott I play a right handed 5 string bass I'm left handed need I say more any tips would surely be appreciated big will in Pennsylvania.

    • Hamma Lammadingdong
      Hamma Lammadingdong 4 years ago +1

      I'm working on in, John.

  • Geoff Stockton
    Geoff Stockton 3 years ago +2

    I'm coming at this from 25 years of guitar playing. For some reason, I'm feeling this really strong tendency for my middle finger to be my dominant plucker and my index finger to handle the E's and Ahs, in any 16th note line. Is there any clear disadvantage to doing it that way, if it's consistent?

    • Summerward36
      Summerward36 2 years ago

      Geoff Stockton I’m interested in this, as well. I’ve never played guitar, but my middle finger was naturally the dominant finger when I started alternate plucking

  • René
    René 4 years ago

    Scott, I have the problem that notes played with my middle finger sound louder than with my index finger. Any tips how to avoid this? Greetings from Holland. Love your vids!

    • sportosellout
      sportosellout 4 years ago

      maybe try and practice on a single string just only stroking trying to get it even before u start moving scales and such. practice makes perfect.

  • S Bingham
    S Bingham 4 years ago

    Excellent lesson!

  • NRG
    NRG 4 years ago

    Right hand>left hand.
    In playing many different genres you find there is much more utility in the right hand while less is more with the left about 95% of the time.

  • Don Bernhard
    Don Bernhard 4 years ago

    What about thumb mute? Is that a technique you recommend? Or do you mute with your ring & pinky fingers?

  • Steve Payne
    Steve Payne 4 years ago +2

    I always say, the left hand plays the music and the right hand provides the emotion.

    • Ayce1955
      Ayce1955 3 years ago

      Unless You're a southpaw :)

  • PickleJar251
    PickleJar251 4 years ago

    Scott if you should have a board dedicated to this idea, you could screw 5 thin pieces of wood with hinges and with cool decorative handles in the formation you have here. They would just flip up and they could have magnets or hooks on them to keep them open. Then you just write your "tips" underneath and erease at the end. It would look classy as fuck.

  • William Slade
    William Slade 4 years ago

    This was good stuff bro!🙌🏽

  • AND
    AND 3 years ago

    Your content is so great.

  • chris berry
    chris berry 4 years ago

    Thanks. Another good one 😉

  • Bjorn Edvardsson
    Bjorn Edvardsson 4 years ago +2

    5-string Precision - is my bass dream :(

  • George Harvey
    George Harvey 2 years ago

    How can you use the rest stroke muting tech when going to another string?

  • André Jaiba
    André Jaiba 4 years ago

    Its kinda funny but I don't like so much editing and weird sounds in the vids... Guess i like it simple... Thanks for the great lessons and hello from Mexico 🇲🇽

  • RC Making Tracks
    RC Making Tracks 3 years ago +1

    SCOTT, you ROCK. thanks

  • Edalia Day
    Edalia Day 5 months ago

    super helpful stuff

  • Timbuktu G
    Timbuktu G 3 years ago

    Im signing up to learn the bass guitar soon.

  • alec jackson
    alec jackson 4 years ago +17

    “Without the ‘engine’ we won’t get where we want to go.” Unless you are a legend and can do hammer-on pull-offs on a bass.

    • Summerward36
      Summerward36 2 years ago

      alec jackson I guess that’s sort of like putting the car into neutral.

  • sportosellout
    sportosellout 4 years ago

    nice vid :) good tips very good cheers

  • Upgrade2344
    Upgrade2344 4 years ago +2

    Thank you thank you! I realised recently that my right hand was really holding me back.

  • Not Ezreal
    Not Ezreal 4 years ago

    Um, for me is the left/fretting hand, what to do with it, if you know exactly what are you doing or gonna do with your fretting hand, you're 99% there. Picking hand is just adjusting to have the extra 1%.

  • Sundered Psyche
    Sundered Psyche 4 years ago

    Good on ya Gav, legend mate.

  • Dysprosium nullnullnull

    No6. Mute strings you don't use.
    Nice video Scott.

  • Old Guy Plays Bass
    Old Guy Plays Bass 2 months ago

    Who makes the bass Scott used in this video? I can't quite read the wording on the headstock. Cheers!

  • Tobias TK
    Tobias TK 4 years ago

    Good job Gav!

  • Oliver Seddon
    Oliver Seddon 4 years ago

    my bass teacher played bass in 54321. Dave Richmond. Legend

  • Remberto Quintanilla
    Remberto Quintanilla 4 years ago

    @Scott's Bass Lessons What if I'm barely starting bass but I want to take the opportunity to take this lessons?

  • Rasmus Wellejus
    Rasmus Wellejus 2 years ago

    I'm a guitarist, so I play bass with a pick, then the finger doesn't have to rest or for that matter free 😅

  • marihinoBass
    marihinoBass 4 years ago

    Left hand is what you know. Right hand is who you are.

  • BrotherDevious
    BrotherDevious 4 years ago

    So you start the lesson with an intro demonstrating a thumb and index finger technique, and then the lesson itself uses index and middle finger plucking :-)

  • Sean
    Sean Year ago

    Didn’t realize how much the position of the plucking hand changes the tone

  • chugga505
    chugga505 3 years ago

    Wait a minute! Is that a 5 string P-bass? :O I need one. What is that brand?

  • Myles Willis
    Myles Willis 4 years ago

    Gav is the man.

  • Josh L.
    Josh L. 4 years ago

    You are the Greatest Mentor

  • Jason Griesa
    Jason Griesa 2 years ago

    Killer tone out that P

  • wtfu sheeple
    wtfu sheeple 2 years ago

    educational and funny,cheers

  • Cord Scott
    Cord Scott 4 years ago

    Does rest stroke still work with Todd Johnson floating thumb? Seems like not so well.

  • Max Kaledin
    Max Kaledin 4 years ago

    Continue with that nice theory corner ;)

  • Icaro Arthur Energia Solar


  • Craig Douglas
    Craig Douglas 4 years ago

    accelerator lessons???? What about clutch and brake lessons? I do however admire your hide, gaull, front, what ever you want to call it.

  • Matthew Whitson
    Matthew Whitson 4 years ago

    Would like to see a bit more definition in the tone and playing int he left hand.. that's where a lot of the tone variation comes from left hand and the right just is pressure differential..

  • sshawnuff
    sshawnuff 4 years ago

    Until now nobody could explain to me why left-handers should need "mirrored" guitars, obviously the left hand's job is much more demanding. And, why are there no left-handed pianos?

    • sshawnuff
      sshawnuff 4 years ago +1

      My question about the piano was a rhetorical one :-), and I am still waiting for an nontrivial explanation other than that it initially feels more comfortable. Playing guitar feels nevertheless uncomfortable for beginners for many understandable reasons anyway.

    • BilliamBass
      BilliamBass 4 years ago

      Left handed keyboard would be no harder to make. They could actually include a switch to change it back and forth between left and right! I want a royalty!

    • BilliamBass
      BilliamBass 4 years ago

      Great idea on the left handed piano! I wouldn't be surprised to see a left handed electronic keyboard soon. I'll bet there would be some market for it!

    • Rufus Stanier
      Rufus Stanier 4 years ago

      Because which hand is your dominant hand has no impact at all upon your playing, provided you start one way round. For example, left-handed violins are practically nonexistent, yet left-handed violin players are no rarer than they would be in the general population because there is little to no difference upon ease of playing. The same is true of piano (despite the fact that the right hand is often 'in charge') and guitar, the difference with the latter being that due to the ease of teaching yourself, left-handed people may find it *initially* more comfortable to hold a guitar left-handed and learn the instrument that way without starting in a standardised way otherwise.
      ps I would imagine the physical nonexistence of left-handed pianos is due to Western languages reading from left to right, and the piano's notes hence ascending from left to right being the least confusing way of approaching such an instrument, combined with the expense and inconvenience of creating an instrument the size of a piece of furniture which is the only one of its type you can play, forcing you to carry it everywhere with you).

  • Keith Moore
    Keith Moore 4 years ago +2

    What is the purpose of the rest stroke mute technique if you triggering a harmonic, every time you mute?
    Also looks like video was stratched...

  • Antoine Pdhm
    Antoine Pdhm 4 years ago

    There's some harmonics making noise when he is showing us how to mute the string, isn't that weird?

  • Mains Blanches
    Mains Blanches 4 years ago

    Just what I was hoping to find, right hand techniques!!...

  • ThatMBR42
    ThatMBR42 4 years ago +1

    I need to work on my economy picking bigtime. My alternate picking is rock solid, though.

    • Brandon Shelton
      Brandon Shelton 4 years ago

      Same. It's like tripping over your feet when trying to walk.

  • Brian Serotta
    Brian Serotta 2 years ago

    Nice video. You remind me of Nolly from Periphery.

  • Mains Blanches
    Mains Blanches 4 years ago

    Alternate picking!!...nice!!...thanks!!...

  • Blair Jones
    Blair Jones 3 years ago

    Relieved I just play with my thumb - like Bill Wyman and Sting!

  • Minichaud Berkimilov
    Minichaud Berkimilov 4 years ago

    Omg thanks for the number 3

  • Caleb Corban
    Caleb Corban 2 years ago

    The most important hand is the plucking hand - looks at left hand tapping away

  • Swaampii Sensei
    Swaampii Sensei 3 years ago

    I haven't finished the video yet ( still watching while I'm typing this ) but I'm curious, so there a reason for the glove on the fretting hand ?

    • Swaampii Sensei
      Swaampii Sensei 3 years ago

      @Chad is Barefoot ohh okay. This is the first of his videos I've seen before. I thought maybe it was like, not wanting to get oil on the strings or fret board or something. Thanks for the clarification.

    • Chad is Barefoot
      Chad is Barefoot 3 years ago +1

      Swaampii Sensei Yes. Scott has a nerve condition that it helps with. Nothing at all to do with helping play or sound other than addressing his medical issue. He’s addressed it many times.

  • Pirate Swiggity
    Pirate Swiggity 3 years ago +2

    0/6: know the rules before you break them

  • P Jenks
    P Jenks 4 years ago +2

    PLEASE tell me that strat looking guitar is a baritone.

  • S W
    S W 2 years ago

    to have an amp that goes to 11, because its 1 more isn't it

  • Kirk Klogo
    Kirk Klogo 2 years ago

    5 strings today 😅